說明書 LG WF-T122

[. . . ] Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. [. . . ] 65 7 1. (*PA-30 ) STANDBY n12, PA-20 n8 1. 2. ON STANDBY Yamaha STANDBY 2. (1) , AC INPUT (2) CD CD → ( ) → n8/n12 2 1 3. • • 8 ? 1 1000000 (dB) 120 dB" 1 dBu, dBV, dBm, , (0 dBu) (–60 dBu –30 dBu) 12V (+24 dBu) 0dB dBu, 0. 775V : : : + 20 dBu +4 dBu 0. 775 V 0 dBu –10 dBu -20 dBu -40 dBu –50 dBu 0 dBu -60 dBu –30 dBu XLR (+) (–) (+) (–) (–) 9 (+) (–) (GND) XLR XLR XLR XLR RAC phone XLR / phone AV (+) (GND) DI (*) phone /TRS phone phone RAC Phone Phone phone TRS phone I/O phone phone RCA (*) DI DI / 10 4 I 5 IN COMP EQ BUS OUT 1 2 3 4 5 6 7 I 1 AUX n8/n12 : • STEREO (L/R) • AUX (L/R) • REC (L/R) • REVERB (L/R) • SOLO (L/R) 2 / I 6 / 3 / 7 LED 11 I n8/n12 AUX I/O AUX AUX REVERB I AUX a) b) AUX REVERB AUX STEREO BUS REVERB BUS POST AUX n8/n12 , AUX OUT STEREO BUS AUX BUS REVERB PRE ON OUT I I/O AUX I/O AUX I/O : AUX OUT • AUX n8/n12 AUX AUX AUX out I/O I/O Insert • AUX AUX INSERT OUT INSERT IN AUX INPUT CHANNEL 12 f 1 1 [GAIN] (2) [PAD] / 4 2 5 3 7 8 6 [PAD] ( ) [PAD] ( ) –34 dB –60 dB +10 dB –16 dB –26 dB +4 dB OVER LED ( 15 ) 2 [PAD] ( ), ) ) 26 dB 9 3 ) !@ # $ ^ ( ( ( ) ( 80 Hz ), 4 PHANTOM [+48V] INPUT A ) (n12 1-4 ) DC XLR INPUT A 48V 2 3 ( ) ( 4 XLR LED 1-4 5-8 n8 & * % n12 13 9 • • ( ) , ( INPUT A ) (EQ) [HIGH] • ( LEVEL] ) Yamaha [C-R PHONES [MID] [MID] 5 [PHASE] ( [PHASE] ) 15 M 8 INPUT B ( [Hi-Z] [LOW] 6 [Hi-Z] n12 4 ( n8 ) EQ ) [MID] [MID] 1. 0 kHz / / 7 [INPUT SELECT] Cubase DAW (A. IN) ) DAW ( HIGH MID LOW 10 kHz 100 Hz – 10 kHz 90 Hz 18 dB 18 dB 18 dB 8 n8 1-4 [DRIVE] [MORPH] A-E n12 1-8 [MORPH] ) [REVERB] M (0 dB) !@ 1 ANALOG INPUT ( 6 5 ) INPUT B) 2 3 ANALOG INPUT ( phone Phone ) RCA (INPUT A INPUT A XLR INPUT B TRS phone RCA L phone INPUT B phone RAC R 2 INSERT I/O phone I/O A/D [GAIN] 4 2TR IN RCA n8/n12 CD ( 16 ) TRS phone INSERT I/O Yamaha 070) (YIC025/050/ [2TR TO ST] INSERT I/O 20 5 ST OUT IEEE1394 DAW I/O STEREO phone Phone RCA RCA • 6 C-R OUT phone ( 18 ) S400 4. 5 • IEEE 1394 53 IEEE 1394 IEEE 1394 Yamaha ) FOOT SW C-R SPEAKER Yamaha FC4 FC5 Cubase 4/Cubase Studio 4/Cubase Essential 4/ Cubase AI 4 transport Mackie USER SWITCH (A) DAW Cubase [AUX [REC] SELECT ( 18 ) AUX 7 AUX OUT phone !POWER ON STANDBY LEVEL] ( 17 ) MIDI n8/n12 MIDI MIDI 8 MIDI IN/OUT MIDI IEEE 1394 STANDBY @ AC INPUT 9 DAW I/O 6 1394 daisy-chained 4 IEEE 1394 4 6 IEEE 1394 IEEE 1394 (S400) EEE ( 8 ) S400 21 1. INPUT A INPUT A INPUT B INPUT B 2. 3. → n8/n12 → ) ( ) → n8/n12 → ( n12 ( ) (Hi-Z) MIDI MIDI (CD, MD, DAT, ) (DI) 22 IEEE 1394 n8 ( ) (Hi-Z) MIDI MIDI (CD, MD, DAT, ) (DI) IEEE 1394 I 1. 5 I 23 n8/n12 n8/n12 n8/n12 2. → n12/n8 → 1. 22 n12/n8 ) 8 n12 ) [Hi-Z] 4 ( n8 ( ) [48V] PHANTOM 80 Hz ( DI n12/n8 Cubase DAW INPUT CHANNEL INPUT METER INPUT A DI INPUT B PAD HA PRE PAN AUX PHONE GAIN DAW IN CHANNEL FADER • ( • ) PHANTOM [48V] 1. A. IN A. IN [INPUT SELECT] XLR • ( ) [PHONES LEVEL] STEREO [INPUT SELECT] Cubase DAW 43 DAW 24 STEREO BUS L STEREO BUS R n8/n12 2. ( ( n12, PRE. [INPUT METER] n12 STEREO BUS L STEREO BUS R C-R SPEAKER SELECT PRE POST ST OUT STEREO FADER STEREO CONTROL ROOM LEVEL C-R SPEAKER SELECT C-R SOURCE SELECT C-R OUT(A) PRE AUX C-R OUT B SOLO n8, DAW C-R OUT C 3. [PAD] C-R PHONES C-R PHONES 4. OVER LED [GAIN] CONTROL ROOM 1. ROOM [C-R SOURCE SELECT] CONTROL : [5. 1] DAW DAW IN 1&2) 5. 1 (DAW [DAW] [ST] [AUX] [2TR] AUX 2TR IN C-R SOURCE SELECT [ST] [GAIN] 2. [CONTROL ROOM LEVEL] PHONES] [CONTROL ROOM LEVEL] [C-R PHONES] / [C-R 25 n8/n12 3. [AUX] AUX AUX 2) n8/n12 AUX 1) 1. STEREO STEREO STEREO [ON] 0 (0 dB) 0 (0 dB) [AUX] AUX AUX PHONES AUX PHONES AUX OUT / ( ) n12 STEREO BUS L STEREO BUS R CHANNEL FADER AUX BUS L AUX BUS R ST OUT AUX AUX PHONES AUX PHONES AUX LEVEL AUX OUT 2. [ON] [ST] INPUT CHANNEL 26 n8/n12 3. n12 POST, C-R SOURCE SELECT [ST] STEREO [CONTROL ROOM LEVEL] [C-R PHONES] [INPUT METER] POST INPUT CHANNEL INPUT METER INPUT METER INPUT A INPUT B PRE CHANNEL FADER POST PAN STEREO BUS L STEREO BUS R 27 n8/n12 A n8/n12 Yamaha B C D E n8/n12 n12 Sweet Spot Sweet Spot Yamaha Sweet Spot Sweet Spot Morphing n8/ 60 I [DRIVE] ? Sweet Spot Sweet Spot n8/n12 48 0 [COMP] LED I [MORPH] (A-E) (Sweet Spot ? Sweet Spot ) [MORPH] Sweet Spot Sweet Spot A B Sweet Spot B Sweet Spot B Sweet Spot B n8/n12 Sweet Spot C D B A D E B A C C Sweet Spot A C B D C B A D E B A D A E E E A A/B=50% A=100% B B/C=50% B=100% C C/D=50% C=100% D E D/E=50% D=100% E=100% Sweet Spot A-E : 28 n8/n12 EQ / ( ) ( / ) I / [MID] EQ M MID ( LOW ( LOW ) 1. 0 kHz ) MID HIGH ( HIGH ) (dB) LOW ( ) MID ( (Hz) ) HIGH ( ) [MID] I [MID] [MID] M ) ( 100Hz 1. 0kHz 10. 0kHz (Hz) EQ 29 n8/n12 Pan panorama ST OUT 1. 2. 4. STEREO [ON] 0 , [ST] STEREO I [PAN] R L INPUT CHANNEL(MONO) INPUT A PAN INPUT B STEREO BUS L STEREO BUS R 0 , (0 dB) 5. STEREO LEVEL MASTER MASTER LEVEL STEREO OVER LED I L R INPUT CHANNEL(STEREO) STEREO BUS L STEREO BUS R BALANCE L R n8/n12 SR SR 30 n8/n12 HALL ROOM PLATE 2. [TO AUX] [TO REC] [TO ST] [TO ST] STEREO BUS L STEREO BUS R INPUT CHANNEL INPUT A PAN INPUT B REVERB REVERB BUS L REVERB BUS R ( ) AUX [TO AUX] 3. [REVERB] ( ) [REVERB] 4. [LEVEL] REVERB ( ) 1. REVERB [TYPE] (0 dB) M 5. REVERB [LEVEL TIME] 6. [REVERB] 31 n8/n12 Solo n12 , solo [SOLO LEVEL] n8/n12 I [SOLO] [SOLO] (L/R), ( ) [SOLO] , [C-R SOURCE SELECT] solo INPUT A CHANNEL FADER SOLO BUS INPUT CHANNEL STEREO BUS ST OUT INPUT B C-R OUT SOLO ON PFL OFF Solo AUX I [PFL] ( [SOLO] ) INPUT A SOLO ON ST OUT INPUT B C-R OUT CHANNEL FADER SOLO BUS INPUT CHANNEL STEREO BUS CONTROL ROOM 32 n8/n12 Cubase 4 n8/n12 n8/n12 Cubase Cubase 4 n8/n12 Cubase Cubase 4 Cubase AI 4 Cubase SX3 Nuendo 3 Cubase 4, Cubase Studio 4, Cubase Essential 4, Nuendo http://www. yamahasynth. com/ n8/n12 n8/n12 Cubase Cubase . . . I I Cubase n8/n12 Cubase transport I n8/n12 Cubase VST VST Cubase REC Cubase n8/n12 VST • n8/n12 INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL Cubase AUDIO TRACK AUDIO TRACK AUDIO TRACK AUDIO TRACK VST • REC I n8/n12 Cubase n8/n12 n8/n12 Cubase Cubase 33 n8/n12 Cubase 4 Cubase 1. 3. n8/n12 Cubase IWindows [ ]→[ [Cubase 4] IMacintosh [ Cubase [OK] ] → [Steinberg Cubase 4] IEEE 1394 • ASIO you want to switch the ASIO driver?6. [File] → [Preferences] Preferences [Editing] [Project & Mixer] Sync Project and Mixer Selection ] → [Cubase 4] Yamaha Extension [OK] Cubase n8/n12 CUBASE READY Cubase CUBASE READY 54 CUBASE READY [Editing] → [Project & Mixer] 4. [Devices] → [Device Setup. . . ] Device Setup Device VST Audio System ASIO Driver Yamaha Steinberg FW ASIO / Yamaha Steinberg FW [OK] n8/n12 Cubase ASIO / Yamaha Steinberg FW Yamaha Steinberg FW • CONTROL • DAW TRACK Cubase 34 n8/n12 Cubase 4 7. File New Project New Project I / [Project] → [Project Setup] Project Setup n8/n12 n8 I/O n12 I Cubase [OK] / [Devices] → [VST Connections] Connections n8/n12 IYamaha n12 multi channel recording IYamaha n8 multi channel recording n8/n12 IYamaha n12 stereo recording IYamaha n8 stereo recording n8/n12 REC • n8/n12 Version2/Cubase AI 4 • VST Cubase n Extension TOOLS for n 8. 9. [OK] [OK] 35 n8/n12 Cubase 4 Cubase n8/n12 transport Enable transport n8/n12 Cubase Record / Cubase n8 ST MIX HARDWARE MIX , n12 ST MIX HARDWARE MIX 5. 1 MIX HARDWARE MIX DAW Remote Control ST MIX Record Enable / WORK MODE ST MIX 5. 1 MIX HARDWARE MIX All WORK MODE Cubase LED Cubase Cubase n12 n8/ I CLICK REMOTE [ON] n8/n12 Cubase CLICK REMOTE [ON] I [CLICK LEVEL] Cubase n12 Cubase setup], [Transport]→[Metronome MIDI LED Cubase n8/ 36 n8/n12 Cubase 4 I ST MIX n8/n12 DAW Cubase Cubase STEREO Cubase Cubase n12: L&R n8: L&R DAW TO ST [ON] STEREO C-R SOURCE SELECT [DAW] I 5. 1 MIX Cubase n12 48 • Cubase Studio 4, Cubase Essential 4 Cubase AI 4 5. 1 MIX, Cubase I/O Cubase n8/n12 n8/n12 I/O MIX • Cubase AUDIO TRACK AUDIO TRACK AUDIO TRACK AUDIO TRACK I/O DAW” 59 n8/n12 n8/n12 STEREO BUS L R INPUT CHANNEL DAW TO ST CONTROL ROOM MONITOR C-R OUT ST OUT I HARDWARE MIX Cubase n8/n12 DAW DAW INPUT SELECT LED DAW Cubase AUDIO TRACK AUDIO TRACK AUDIO TRACK AUDIO TRACK INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL STEREO BUS C-R OUT ST OUT n8/n12 37 n8/n12 Cubase 4 Cubase n8/n12 Cubase n8/n12 Cubase Cubase n8/n12 n8/n12 AUX n8/n12 n8/n12 AUX ST MIX, Cubase n8/n12 [DAW TO AUX] n12 n8 [AUX PHONES] n 12 [AUX PHONES] n8/n12 n8/ [AUX LEVEL] Cubase 4, Cubase 4 [AUX] Cubase , Cubase n8/n12 n8/n12 AUX Cubase AUDIO TRACK AUDIO TRACK AUDIO TRACK AUDIO TRACK MIX n8/n12 AUX BUS L R INPUT CHANNEL DAW TO AUX AUX OUT AUX PHONE Cubase (n8) AUX L/R Cubase n8/n12 AUX n12 n8/n12 n12(n8)-AUX n12(n8) AUX L/R 38 n8/n12 Cubase 4 n8/n12 Cubase n8/n12 n8/n12 DAW n8/n12 VST REC REC Cubase Cubase LED 4. Cubase n12 (n8)-REC n12(n8)-REC REC Yamaha n12 (n8) stereo recording REC I 1. INPUT SELECT [A. IN] Cubase INPUT SELECT INPUT SELECT [A. IN] INPUT SELECT , Cubase(DAW) n8/ n12 Cubase DAW • Cubase DAW / Inspector] [PREV L] n8/n12 [NEXT M] [Show [DAW] 2. n8/n12 32 ” 24 LED • 3. [REC] REC [REC] 39 n8/n12 Cubase 4 5. Cubase Control Enable REC VST Record Enable DAW Remote [REC READY] Record 9. DAW TO ST [ON] Record Enable Cubase DAW TO ST [ON] STEREO REC n8/n12 Cubase 10 REC STEREO Cubase [ST] [ST] [REC READY] Record Cubase Enable (1) [File]→[Preferences] [Preferences] Windows [Cubase]→[Preferences] Macintosh (2) [Editing] [Project & Mixer] (3) Enable Record on Selected Track (4) [OK] I 6 VST 9 REC Record Enable MONITOR REMOTE [ON] [REC BUS WET] LED • • AUX [AUX] Cubase VST 6. : Tune : Clock : Commands : : : : : : All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset System Real Time Aux Messages Notes: *1 Used only for the communication with DAW. The MIDI Port is used as an extended port for DAW. Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO o : Yes x : No 64 Numerics 2TR IN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 2TR TO ST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18, 25, 46, 52 5. 1 MIX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19, 37 H HARDWARE MIX . . . . . . . . . . . . . . . . . 19, 37 HIGH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Hi-Z . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17, 18 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14, 16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28, 43 PRE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17, 24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Tel: 714-522-9011 FRANCE Yamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 HONG KONG Tom Lee Music Co. , Ltd. 11/F. , Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 ITALY Yamaha Musica Italia S. P. A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. [. . . ]